As is widely known, the progressive and full European neue polnische kulturkampff is bearing fruit. Krzysztof Śmiszek, a prof. at the same erstwhile SB officer school in Legionowo, spoke about them not so long ago as Adam Bodnar. Neue Kultur, however, is not just a song with a chorus representing a literal translation of 8 stars.
ZThe acuses of eurolevacy, in the III Republic utilizing the name "liberaries", go much further than Wanda Vasilewska and the remainder of the red thugs after 1945.
Here is 1 of the leading publicists of the alleged political criticism, a certain Radosław Skowron, like Vicebodnar Smiler, Dr. Law and Lawyer, has far greater ambitions. Well... we request a fresh anthem.
For praising Napoleon, we stand for terror, colonialism and aggression. That's what you say.
Of course, he justifies his position.
“Let’s change the anthem. There are 2 reasons.
First – textual. The words of Mazurek Dąbrowski are already outdated, detached from today's sensitivity, emanate with violence, and they distort history. We deserve so much more.
Second – contextual. The song of the Polish Legions in Italy as an anthem was given to us by Sanctific Zealots. The very origin of the fascism bed does not undermine the artistic value of the work, but in combination with the later acceptance of the work by Józef Wybicki as an anthem by the peernel mafia should force us to reflect on what means we want to make a national community in the 21st century. We can afford much more adaptable tools.”
Digression one. Word Gold has many meanings, and not only in Polish. But let us reject those who do not share the ideology of your patron. For him in the above context Zelota simply means a passionate, fanatical follower of any idea.
TSo we owe the current anthem to pre-war fanatics and... the Peerel mob. Strangely enough, Skowron does not announcement that the portal on which he places his deep ideological thoughts even more to the left than the peerless power. So it's not good to call yourself in the household circle... ;)
These are evidently not the only charges against Hymn.
Mazurek Dąbrowski has an highly dark past. As the lawyer writes:
“The Mazurek Dąbrowski, as Józef Wybicki said, was officially and formally present in the Polish hymnal Imaginarium only thanks to the efforts of the Pilsudczyk and Sanitation politicians. First, as already in 1921 the decision of the Minister of Military Affairs, Kazimierz Sosnkowski, was ordered to give peculiar honors by the army during the performance of songs. Then, in October 1926, immediately after the May coup, Minister of spiritual Confessions and Public Enlightenment Kazimierz Bartel announced the designation of the song as a national anthem. Shortly after, in February 1927, the Minister of the Interior, Felicjan Sławomir Składkowski, decided to take a akin step. This decision of the second is considered an organization anchor of Mazurek Dąbrowski in Polish public life.
Sosnkowski's here let us skip (he did not apply so much to fascism of Poland after 1926). Bartla, a five-time prime minister of the country after the coup, besides (let's presume generously that the prof. did not see authoritarian fats flooding Poland during his reign). But Składkowski – it is the essence of sanitational madness. Prime Minister in 1936–1939, plus 3 times Minister of the Interior, as fewer as anyone responsible for the improvement of Polish pre-war Fascism. He was personally liable for maintaining a forced labour camp for political opponents in Kartuska Bereza and for arresting opposition representatives in September 1930 and placing them in Brest over the Bug.”
By the way, Germany's decision to liquidate prof. Bartl to this day justify that it was the highest laid russian agent in the Second Republic. And although for our right-wing and God-fathered propaganda for years it has been a symbol of the German-Ukrainian savagery (the alleged execution of Lviv professors a unusual chance for those only who chose to collaborate with the russian occupier!) however, any facts powerfully support the German version. Well, Bartel, initially captured by the NKVD, was released with all the honours on the second day, was returned to him all the retained things and before he began co-laborating as a prof. of the russian university he had provided the means for a prosperous (in russian conditions of course) life.
I remind you that releasing Bartoszewski's “professor” from Oświęcim is inactive a reason to accuse him of his alleged cooperation with the Gestapo. It is simply forgotten that the KL could sometimes have been sent to the German court for only a fewer months. What, then, did the NKVD’s manifest grace prove??
Is that why Bartel, according to the patron, is fine and nothing connects him with “sanctional insanity”?
And you actually gotta agree with that... but taking the German version!
WHowever, let us mention to the patron and his proposals. Reminiscing the experience of another equally prominent leftist journalist, a certain Jasie Kapela (not to be confused by an infantile sounding name – this highly ideologically twisted lefty is simply a "young man" like another media baby – Kuba Wojewódzki) the patron writes carefully:
"When I enclose changes in the text of the national mazurka, I walk on fragile ice. According to the Code of Offence, a individual violating the provisions on the anthem of the Republic of Poland is subject to detention or fine. These regulations provide, among another things, for the exact text of the song and for the work to be performed in specified a way as to give it due honor and respect. Of course, in this publication I do not undertake to execute an anthem, but the creativity of public prosecutors can be powerful and I am able to imagine the designation that by deforming the widely accepted meaning of an anthem, I commit misconduct.
It is worth remembering that a fewer years ago 1 of the members of the Political Critics squad was fined by the courts of both instances for the fact that on his channel he made a state anthem with words changed by him. Only the Ombudsman's intervention was essential in the case and the proceedings were referred to the ultimate Court. This acquitted the artist, acknowledging that the performance of the anthem in a manner contrary to the annex to the bill is within the limits of freedom of expression (...).”
Needless to say, the intervening RPO was... Bodnar.
Of course, this is not the end of the Poststudates of the Red Lawyer.
"But let's look at the substance from a different angle. Would it not be refreshing to make a fresh hymn? Not to be related to creatures from the late 18th century and decisions from the early 20th century sped up by politicians from 30 years ago? The fresh words of the anthem could be the consequence of an authentic and joyful reflection on the past of the country and our aspirations. It'll be a 4th of a century in the next millennium. Let us give ourselves an anthemic thaw.”
So let's do it, Counselor!
Instead of a mazurka, favoring only 1 voivodship, and not even the full one, it is essential to change the melody.
How he felt about what today's power does to polonaise, besides called walking. Slow rhythm, circulation more or little around, plus common bows.
And most importantly, without any abrupt movements that could be besides easy transformed into... jumps.
And the words?
After all, it is apparent that there should be area for the latest cultural heritage. The remainder isn't that crucial anymore. Who would understand?
Maybe just about the dominant function of the European Union and eternal relationship with Germany.
Eight Stars in the rhythm of polonaise alternatively of fascist-maphic Mazurka.
And that would be as Prof. Jan Tadeusz Stanisławski utilized to say.
22.10 2024
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All quotes for: ]]>https://political criticism.pl/country/changes-hymn-polski-skowron/]]>
photo of pixabay
