As seldom happens, the last tag must be the first issue. due to the fact that whether the rank and the value of the technological title, I repeat, the technological title determines where it comes from or whether it is its unique qualities?
As I have already written about the qualities essential for my doctorate in my chamber for the note of our invaluable @antisalona/ nu, I have the rest.
Come on, then.
In 1988, after graduating from the Holy College of Music Education in Wieluń called fondly Sorbona, due to the large ambition of the staff and how we were given a hard time, I was expected to compose a bachelor's degree. To become specified a Sikorski. ( Well, that title was expected to be the equivalent of our Invaluable 1 at the Salons. )
Theme- something like that. Spare me the insatiability, a fewer years have passed. )" Characteristics of folk music of the Sieradzki Region". ).
So that's actually the kind of essay under a given thesis. He was expected to write, do his homework, frame it, describe it in the mouth, show himself to her. It's off. That's what it looks like.
But besides theirs and my bad luck was that the people's muse was my horse and I, in addition, was Practice. About Sancti Caeli! For about 10 years I have learned from the departing best folk musicians techniques of playing violin, characteristic and b. hard for "classical" form music.
Sneaking out of any systematization and even trying to compose a note.
Thanks to their talents and my absolute hearing, I was able to recreate and make in specified ways. Yeah, ways.
Together with the group under the patronage of the Wieluńska Cooperative House, we went from competition to competition. And we picked up the main prizes at the provincial level, due to the fact that Łódź was ours. I've even got 1 of the press articles about me.
So that "I sat in it" and in time I started to see the principles, or alternatively how these musical forms were eluded by them. All you needed was comparative material.
I started collecting material for this unfortunate work. I drove a fewer 100 kilometers with a coyote reel tape recorder "Kasprzak" I had no other.
I recorded the outgoing violinists- grandads, sometimes with "bubblers"- due to the fact that the larger section would have immense problems. Related to accent shift, metre change, pace and attention... sometimes and speech change.
I knew that they played this way due to the deficiency of classical musical education (Something reminds me?) and only proceeding and accompanying the elders. classical education would only interfere and teach classical patterns.
Then, large God! After that, I almost paid for a stroke or a heart attack.
'Cause I was up all night, coffee after coffee. I was rewriting for a fewer bars of footage with accent changes, metrum i.t.d. And then 1 at a time, as they did, I lost to the second tape, the attachment to work.
It's time for defense. Against the committee. large Commission. Among them my apology for pro-motor( Let him have the earth.
And I, exhibiting something alternatively than announcing the essay, offensive.
Horrible, peaceful, destructive, and woggle around. full mouth rainfall of the Respectable Commission. As far as I remember, they were just asking how I could collect so much material.
And angry at me pro( Well, let him have the land... as if it'd spoil him. As much as possible.
Just a guy. Not even a real university student)Samely! developed a material that reconciles the binding Truths. And he dared to unquestionably prove it!!! The only thing he could learn from himself is that individual had to compose it to me. Completely ignoring my in-depth cognition of the subject. Reliable cognition resulting from many years of practice.
The result? All my colleagues have received "very good" for their essays.
But I, due to the fact that I dared to do something authentically first "yesting and destroying" and put into it a immense amount of work, only "good". due to the fact that Kumisiya had a fight...
And now, what I have proved - that certain forms of muse.Popular Sieradzki are Jazz!!!
Very close to fresh Orleans.
And two. About the second half of the 1990s, any academic from 1 of the Academy of Music showed the same thing( And I hope he showed, not "showed" thanks to reading my work among others). His discovery is part of 1 of the Program Basics. Well, look at that. Especially with mention to the beginning of this note?.
Anyone who listens and listens will understand. Sliding accent, subway changes, constant improvisation. And only the rhythmic section can keep up with that :))
